'GIRLHOOD' BY KOKO FIGURA
London, April 2024
Edited by Vanessa Torpey
On a trip back to my hometown, Gdynia, I revisited locations that had been crucial to my experience of girlhood, and I quickly found myself spiraling into a state of reminiscence... Reflecting on all the quintessential aspects of this period of my adolescence—the highs and lows alike—I felt prompted to explore the concept of girlhood as a universal experience.
I asked myself: What is this mystical and messy, serene yet chaotic period, and how has it been portrayed through the medium of photography?
"Girlhood," as depicted in the mid-20th century, seems to highlight a dreamy ideal filled with delicate and innocent moments—stereotypical pastimes of young girls, such as making friendship bracelets or braiding hair. In contrast, contemporary representations focus on the minutiae of reality: bruised legs, chipped nail polish, and messy hair. As a socio-cultural concept, the idea of girlhood has evolved to depict a variety of lived experiences, and this project seeks to showcase yet another dimension of this expansive era of youth.
The black-and-white photo series Girlhood attempts to capture a surreal and ethereal atmosphere, with a dreamlike quality reminiscent of Polish photographer Edward Hartwig’s work from the 1940s. And yet, Girlhood portrays a juxtaposition. An aura inspired by Hartwig’s idyllic visions of angelic young women frolicking in nature is paired with stark suburban surroundings—the serenity of girlhood set against a backdrop of cookie-cutter homes, rows of parked cars, and monotony.
I asked myself: What is this mystical and messy, serene yet chaotic period, and how has it been portrayed through the medium of photography?
"Girlhood," as depicted in the mid-20th century, seems to highlight a dreamy ideal filled with delicate and innocent moments—stereotypical pastimes of young girls, such as making friendship bracelets or braiding hair. In contrast, contemporary representations focus on the minutiae of reality: bruised legs, chipped nail polish, and messy hair. As a socio-cultural concept, the idea of girlhood has evolved to depict a variety of lived experiences, and this project seeks to showcase yet another dimension of this expansive era of youth.
The black-and-white photo series Girlhood attempts to capture a surreal and ethereal atmosphere, with a dreamlike quality reminiscent of Polish photographer Edward Hartwig’s work from the 1940s. And yet, Girlhood portrays a juxtaposition. An aura inspired by Hartwig’s idyllic visions of angelic young women frolicking in nature is paired with stark suburban surroundings—the serenity of girlhood set against a backdrop of cookie-cutter homes, rows of parked cars, and monotony.



This oppressive urban landscape, stretching out behind the girls, contrasts with the intimate and tender moments they share. At the same time, the disconnection conveyed by the bird's-eye view—surveying the young women on the rooftop—explores themes of isolation, intimacy, and surrealism. The scene blends elements of urban life with moments of quiet reflection and ethereal beauty, seemingly untouched by—yet inherently connected to—their environment.
One might ask themselves: What shadows linger beneath the seemingly angelic facade of girlhood in the city? What dangers and imperfections are inherent to this experience? And why is this vision of girlhood often only a matter of aesthetic admiration, rather than lived reality?

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MANY THANKS TO THE
ISSUE 3 CONTRIBUTORS
MANY THANKS TO THE
ISSUE 2 CONTRIBUTORS
KOKO FIGURA
ANNIE
VANESSA TORPEY
YVES BARTLETT & DA-JIONG DONG
MANY THANKS TO THE
ISSUE 1 CONTRIBUTORS
born out of post-sunday blues sugar hiccups and getting the memo
2024
2024